Tomoya Ohtani on Sonic Lost World Original Soundtrack:

Owl Lights

As for the area of the latter half of stage where the beam from the horned owl’s eyes is irradiated, the idea of wanting to show the tension, turning off the BGM was written in the specification document, but the area is long in its own way as well, so thinking that the rendition would not hold with only sound effects, I suggested this kind of arrangement. I think it is a piece that makes the uniqueness of this stage stand out.